Sunday, May 2 at 18:00 the Galleria Marconi di Cupra Marittima has Gianni Manunta Pastorello solo show Pastorello, edited by Simonetta Angelini, who is also author of the critique.
After the success of staff Rocco Dubbini that ended the mini-cycle Marche Art Centre, the exhibition concludes the review of Shepherd I do not know and do not want to know .
Shepherd is one of the most important artists of the new panorama of Italian art, the core of his aesthetic and the painting itself poses clear, rich but restless.
"Marconi Gallery dedicated a staff with the same title Giovanni Manunta Shepherd. The nomen
that becomes the sign of a deviation of a shift of identity. Unexpected.
"The proper name is the odd verbal summary of uniqueness that is exposed to your question is to pay it without any further knowledge," writes the philosopher Adriana Cavarero in his essay "You look at me you tell me." The
I, declined in the third person, it becomes a question, a self-skinned metamorphic. Possible in the plural, narratable. Apart from the text. The identity is mobile, a work in progress. The pictorial works
Pastorello have an urge to abstrahere says the process of distillation, synthesis, concentration power.
nature, restless and pathological volumes has tubular structure. It 's a female daimon. Unpredictable, liar. The random variable. Within a changing reality
chemistry, acid dissolution and synthetic, dusty consistency almost Lucretius. " (Simonetta Angelini)
I do not know and do not want to know is not just an answer, is also a provocation, an attitude and basically a form of agnosticism, which in the case of art could be called cultural. It is a way to face the great questions of humanity: where we come from? Where are we going? Why the pain? Why baked potatoes are never enough?
A response is often convenient, sometimes shocking, which expresses the will of ignorance that is very far from the Socratic that the real test is the one who knows he does not know. There is not any knowledge, no curiosity, only detachment and indifference. Often before a
art proposal and makes this sentence is a bit 'wrong. Who says it may seem a bit 'out of time, but he really is often a majority, not too quiet.
would now be legitimate answer to the question: why such a title for a program of exhibitions?
The answer is in the title.
Shepherd is one of the most important artists of the new panorama of Italian art, the core of his aesthetic and the painting itself poses clear, rich but restless.
"Marconi Gallery dedicated a staff with the same title Giovanni Manunta Shepherd. The nomen
that becomes the sign of a deviation of a shift of identity. Unexpected.
"The proper name is the odd verbal summary of uniqueness that is exposed to your question is to pay it without any further knowledge," writes the philosopher Adriana Cavarero in his essay "You look at me you tell me." The
I, declined in the third person, it becomes a question, a self-skinned metamorphic. Possible in the plural, narratable. Apart from the text. The identity is mobile, a work in progress. The pictorial works
Pastorello have an urge to abstrahere says the process of distillation, synthesis, concentration power.
nature, restless and pathological volumes has tubular structure. It 's a female daimon. Unpredictable, liar. The random variable. Within a changing reality
chemistry, acid dissolution and synthetic, dusty consistency almost Lucretius. " (Simonetta Angelini)
I do not know and do not want to know is not just an answer, is also a provocation, an attitude and basically a form of agnosticism, which in the case of art could be called cultural. It is a way to face the great questions of humanity: where we come from? Where are we going? Why the pain? Why baked potatoes are never enough?
A response is often convenient, sometimes shocking, which expresses the will of ignorance that is very far from the Socratic that the real test is the one who knows he does not know. There is not any knowledge, no curiosity, only detachment and indifference. Often before a
art proposal and makes this sentence is a bit 'wrong. Who says it may seem a bit 'out of time, but he really is often a majority, not too quiet.
would now be legitimate answer to the question: why such a title for a program of exhibitions?
The answer is in the title.
technical / technical card
curator / curator Simonetta by Angelini
critical essay / art by critic Simon Angelini
press office / press agent Dario Ciferri
translation / translation by Patrick Isidori
external relations and promotion of activities and promotion of external relationship Activities Stephen Palanca
photography / photography © Mark Biancucci
video footage / video Stefano Abbadini
shooting equipment / preparation Marco Croci
graphic design / graphic project and mirco maicol
webmaster http://www.siscom.it
from May 2 to May 30
from May 2th to 30th May
hours: Monday -Saturday, from 16 to 20
opening time: Mon-Sat 8 to 4 pm Gallery
Franco Marconi Marconi
C.so Vittorio Emanuele, 70
63012 Cupra Marittima (AP)
tel 0735778703 e-mail web galmarconi@siscom.it
http://www.siscom.it/marconi
