Alla Galleria Marconi di Cupra Marittima proseguono gli appuntamenti della rassegna “ Non lo so e non lo voglio sapere ”. Dopo il successo dell’esposizione di Giuseppe Restano domenica 25 ottobre alle 18.00 si inaugura In hoc tempore , personale di Francesco Insinga . La mostra, organizzata in collaborazione con la Galleria White Project di Pescara, è curata da Renato Bianchini autore anche del testo critico.
“Il tempo dell’arte ha un’estensione tutt’altro that property, its boundaries are invisible, only the artist can be recognized because its operation is unpredictable. His
this is always unfinished because he does not give any certainty.
His progress continuously tends to withdraw and then to draw closer, indeed, attracted by his own eyes, takes a backward movement as for wanting to better understand the meaning of the interpretation.
Suddenly, the work seems to be a growing wonder, and the event backward becomes disturbing presence, to be shown that demands a perspective illusion. "
(Renato Bianchini)
do not I know and I do not want to know is not just an answer, is also a provocation, an attitude and basically a form of agnosticism, which in the case of art could be called cultural. It is a way to face the great questions of humanity: where we come from? Where are we going? Why the pain? Why baked potatoes are never enough?
A response is often convenient, sometimes shocking, which expresses the will of ignorance that is very far from the Socratic that the real test is the one who knows he does not know. There is not any knowledge, no curiosity, only detachment and indifference. Often before a
art proposal this sentence comes in and does a little 'bad. Who says it may seem a bit 'out of time, but he really is often a majority, not too quiet.
would now be legitimate answer to the question: why such a title for a program of exhibitions?
The answer is in the title
this is always unfinished because he does not give any certainty.
His progress continuously tends to withdraw and then to draw closer, indeed, attracted by his own eyes, takes a backward movement as for wanting to better understand the meaning of the interpretation.
Suddenly, the work seems to be a growing wonder, and the event backward becomes disturbing presence, to be shown that demands a perspective illusion. "
(Renato Bianchini)
do not I know and I do not want to know is not just an answer, is also a provocation, an attitude and basically a form of agnosticism, which in the case of art could be called cultural. It is a way to face the great questions of humanity: where we come from? Where are we going? Why the pain? Why baked potatoes are never enough?
A response is often convenient, sometimes shocking, which expresses the will of ignorance that is very far from the Socratic that the real test is the one who knows he does not know. There is not any knowledge, no curiosity, only detachment and indifference. Often before a
art proposal this sentence comes in and does a little 'bad. Who says it may seem a bit 'out of time, but he really is often a majority, not too quiet.
would now be legitimate answer to the question: why such a title for a program of exhibitions?
The answer is in the title
technical / technical card
curator / curator Renato Bianchini
text by critic / curator by Renato Bianchini
press office / press agent Dario Ciferri
translation / translation by Patrick Isidori
external relations and promotion of activities and promotion of external relationship Stefania Activities Palanca
fotografia/photography Marco Biancucci©
riprese video/video shooting Stefano Abbadini
allestimenti/preparation Marco Croci
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dal 25 ottobre al 22 novembre
from 25th october to 22th november
orario: lunedì-sabato dalle 16 alle 20
opening time: Mon-Sat 4 to 8 p.m.
Galleria Marconi di Franco Marconi
C.so Vittorio Emanuele, 70
63012 Cupra Marittima (AP)
tel 0735778703
e-mail galleriamarconi@vodafone.it
web http://www.siscom.it/marconi
